{"product_id":"tsukioka-yoshitoshi-kaidai-hyakusenso-inoue-gorobei-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Kaidai hyakusensō: Inoue Gorōbei | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA samurai in a white headband crouches beside a teal stone lantern, holding a green-hilted katana upright before his face in both hands, its guard level with his furrowed brows and sideways glance. His robe shows a dark ground scattered with orange rosettes and pale lion-like beasts, and a second sword hilt shows at his hip. A yellow cartouche on the robe carries a date inscription; a biographical text panel fills the upper left, and the series-title cartouche stands at the upper right.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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