{"product_id":"tsukioka-yoshitoshi-kaidai-hyakusenso-katakura-kojuro-munesada-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Kaidai hyakusensō: Katakura Kojūrō Munesada | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA samurai with a shaved pate and thin sideburns is shown half-length against a dark grey ground, in an orange-and-teal lacquered breastplate trimmed with a green zigzag border and gold cloud-scroll roundels over a purple under-robe; a small tan tag marked with a number is fixed to his chest armour. A sword with a teal-corded hilt crosses his body, his hand resting on it at the sash. A cream panel of family crests sits upper left, a title cartouche upper right, and the signature in a narrow cartouche at left.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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