{"product_id":"tsukioka-yoshitoshi-kaidai-hyakusenso-kimura-nagato-no-kami-shigenari-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Kaidai hyakusensō: Kimura Nagato-no-kami Shigenari | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA young samurai with a shaved forelock and a high topknot sits in a teal robe patterned with red and blue floral roundels over a brown diamond-lattice under-layer. One hand rests on a red-laced armor piece beside a helmet ornamented with a green dragon. Behind him, a framed panel of black text is marked with crests in yellow, teal, grey and maroon, beneath the series title cartouche. A black round seal and a bordered signature cartouche reading 'Ikkaisai Yoshitoshi' sit at the left.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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