{"product_id":"tsukioka-yoshitoshi-kaidai-hyakusenso-prince-oto-daito-no-miya-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Kaidai Hyakusensō: Prince Ōtō (Daitō-no-miya) | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA man raises a very deep woven straw hat with one hand wrapped in a red-and-blue patterned cloth, lifting it from his face. He wears a dark green robe with a straw rain cape draped over the shoulders and a patterned red collar showing at the neck. Behind him, brown cloud shapes cross a pink sky above a dark ground. A text panel at the upper left and a cartouche naming the series and Prince Ōtō (Daitō-no-miya) sit at the upper right.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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