{"product_id":"tsukioka-yoshitoshi-kaidai-hyakusenso-sagara-totomi-no-kami-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Kaidai hyakusensō: Sagara Tōtōmi-no-kami | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA man in a striped brown headwrap leans over the edge of a roof at night, narrowing his eyes as he grips the green roof edge with one hand. A pale shaft with a red-bound grip rises at the left, and a gnarled pine branch with tufts of green needles crosses the straw-bound roof below him. The background is a dark teal-black night sky flecked with a few pale spots. Title and biography cartouches occupy the upper portion; the signature sits at the lower right.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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