{"product_id":"tsukioka-yoshitoshi-kibi-daijin-seated-at-a-chinese-table-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Kibi Daijin Seated at a Chinese Table | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eAn elderly bearded man in a black robe and a checkered court cap sits in a red, scroll-carved chair with a tiger-striped fur draped over the seat, bending intently over a matching red table bordered with a key-fret pattern. A brown vase holding a flowering branch stands at the table's far end. One bare foot rests on the table's stretcher below his robe. A wide text panel and the series title cartouche fill the upper portion of the sheet.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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