{"product_id":"tsukioka-yoshitoshi-yokobue-waiting-from-takiguchi-tokiyori-japanese-woodblock-print-ukiyo-e","title":"Tsukioka Yoshitoshi — Yokobue Waiting from Takiguchi Tokiyori | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eUnder a full moon half-veiled by a dark band of cloud, a pine stands in silhouette against dark hills. A woman in a white outer robe patterned with grey floral roundels draws the robe up over her head with both hands, a red-and-pink checked under-robe showing beneath. She stands among tall pampas grass and white flowers with teal leaves, where a dark bird perches at the right. The series title and plate name are inscribed in a panel at the upper right.\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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