{"product_id":"uemura-shoen-waiting-for-the-moon-taigetsu-fine-art-print","title":"Uemura Shōen — Waiting for the Moon (Taigetsu) | Fine Art Print","description":"\u003cp\u003eA woman stands on a veranda behind a pale wooden post that runs the full height of the picture, leaning forward to look past it. Her sheer teal kimono is scattered with small dark motifs and trails along the boards; her pale blue sash is patterned with gold hares leaping over waves, tied with a white band. One hand holds a round paper fan by its brown handle, its cream face marked with a pale blue medallion. Beyond the slatted rail, grey cloud drifts. The signature and one small red seal are at the lower left.\u003c\/p\u003e\u003cp\u003eUemura Shōen (1875–1949) was a Japanese painter who worked in nihonga, the modern Japanese style of ink and mineral pigment on silk and paper, and who made the bijin-ga — the painting of beautiful women — her life's subject in a genre that had been almost entirely male. Born in Kyoto, she studied under Suzuki Shōnen at the Kyoto Prefectural Painting School, then under Kōno Bairei from 1893 and Takeuchi Seihō after Bairei's death. Her women are drawn with an exact, unhurried line and set against wide expanses of bare silk, as in Flame (1918), Jo-no-mai (1936) and Sōshi-arai Komachi (1937). She was appointed an Imperial Household Artist in 1944 and in 1948 became the first woman to receive Japan's Order of Culture. Her paintings are held by the Tokyo National Museum, the National Museum of Modern Art, Tokyo, and the Shōhaku Art Museum in Nara.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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