{"product_id":"utagawa-hiroshige-100-views-of-edo-nihonbashi-clearing-after-snow-japanese-woodblock-print-ukiyo-e","title":"Utagawa Hiroshige — 100 Views of Edo: Nihonbashi, Clearing after Snow | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eNihonbashi bridge arcs across a blue river crowded with boats, rowers in orange at their oars and cargo heaped under snow. Snow covers the plank roofs of the riverside fish market, where merchants and shoppers gather. Beyond the bridge, snow dusts the trees and white walls of the castle, and Mount Fuji's pale cone rises above an orange band at the horizon. A yellow title panel and red series cartouche sit at the upper right; Hiroshige's red signature cartouche is at the left.\u003c\/p\u003e\u003cp\u003eUtagawa Hiroshige (1797–1858) was the last great master of the ukiyo-e landscape print. Born into a family of fire wardens in Edo, he turned to printmaking under Utagawa Toyohiro and found his subject in the roads and seasons of Japan — above all in the Fifty-three Stations of the Tōkaidō (1833–34) and the One Hundred Famous Views of Edo (1856–58). His snow, rain and evening skies, and his bold near-and-far compositions, were studied closely by Van Gogh, Whistler and Monet. His prints are held by the British Museum, the Metropolitan Museum of Art and the Museum of Fine Arts, Boston.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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