{"product_id":"utagawa-hiroshige-mokuboji-temple-and-vegetable-fields-on-uchigawa-inlet-japanese-woodblock-print-ukiyo-e","title":"Utagawa Hiroshige — Mokuboji Temple and Vegetable Fields on Uchigawa Inlet | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA quiet inlet winds between pine trees toward a long plank bridge and green fields, with a temple building at the right among pines and a pink cherry tree. Cherry petals drift on the water near reeds at the left. In the foreground two women stand on the bank, one in blue and one in purple with a yellow sash, beside a boat with a roofed cabin moored at the water's edge. A yellow title panel and red series cartouche sit at the upper right; Hiroshige's red signature cartouche is at the left.\u003c\/p\u003e\u003cp\u003eUtagawa Hiroshige (1797–1858) was the last great master of the ukiyo-e landscape print. Born into a family of fire wardens in Edo, he turned to printmaking under Utagawa Toyohiro and found his subject in the roads and seasons of Japan — above all in the Fifty-three Stations of the Tōkaidō (1833–34) and the One Hundred Famous Views of Edo (1856–58). His snow, rain and evening skies, and his bold near-and-far compositions, were studied closely by Van Gogh, Whistler and Monet. His prints are held by the British Museum, the Metropolitan Museum of Art and the Museum of Fine Arts, Boston.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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