{"product_id":"utagawa-kuniyoshi-69-stations-of-the-kisokaido-kyoto-the-nue-final-print-japanese-woodblock-print-ukiyo-e","title":"Utagawa Kuniyoshi — 69 Stations of the Kisokaidō: Kyoto — the Nue (final print) | Japanese Woodblock Print (Ukiyo-e)","description":"\u003cp\u003eA creature with a snarling pink monkey face, yellow eyes and bared teeth plunges from a mass of black cloud, its tawny fur marked with dark tiger stripes, clawed paws outstretched, and its long scaled tail ending in a snake's head. White streaks of lightning cut across the darkness. Below, the tiled roof of a palace hall runs along the bottom edge, and two tiny figures stand on the ground beside it, dwarfed by the beast above. A shaped inset at upper left shows a snow-capped peak above blue hills.\u003c\/p\u003e\u003cp\u003eUtagawa Kuniyoshi (1798–1861) brought heroes, monsters and spectacle into the ukiyo-e print. A pupil of Toyokuni, he made his name in 1827 with the series of the One Hundred and Eight Heroes of the Suikoden, tattooed warriors caught mid-action, and went on to giant skeletons, cats, whales and satirical puzzles that slipped past the censors. His restless invention influenced Yoshitoshi and, much later, tattoo and manga art. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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