{"product_id":"william-keith-yosemite-valley-landscape-fine-art-print","title":"William Keith — Yosemite Valley | Landscape Fine Art Print","description":"\u003cp\u003ePale pink granite cliffs rise across a wide valley under a soft lemon-and-blue sky, with dark conifers and white-trunked trees crowding the right-hand slope. Smoke drifts from a camp of conical lodges among the trees at left, and small figures walk the sandy bank beyond it. Two riders, one in a long blue skirt riding side-saddle, cross the shallow river in the foreground, where a heap of fallen logs lies in the stream.\u003c\/p\u003e\u003cp\u003eKeith painted this canvas in his studio as an exhibition piece after returning to Yosemite in 1875, three years after meeting the naturalist John Muir. The museum notes that he avoided the tight, linear Düsseldorf manner and filled the background with soft, opalescent colour, placing the riders, trees and fallen logs to lead the eye across the river toward the cliffs.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1875, Los Angeles County Museum of Art.\u003c\/p\u003e\u003cp\u003eWilliam Keith (1838–1911) was a Scottish-born American landscape painter. Born in Oldmeldrum, Aberdeenshire, he emigrated to New York in 1850, trained as a wood engraver and settled in San Francisco in 1859. He studied in Düsseldorf from 1869 and in Munich in 1883–85, and from 1872 was a close friend of John Muir, camping with him in the High Sierra. His early Sierra views were detailed and sunlit; later, drawing on the Barbizon painters, he turned to broad brushwork and dark, tonal, suggestive landscapes. Many of his paintings, including most of his small panels of the 1890s, burned in his studio in the 1906 earthquake and fire. His work is held by the Saint Mary's College Museum of Art and the Oakland Museum of California.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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