{"product_id":"winslow-homer-dressing-for-the-carnival-fine-art-print","title":"Winslow Homer — Dressing for the Carnival | Fine Art Print","description":"\u003cp\u003eA man stands in a patchwork costume of yellow, red and blue beneath a tall pointed cap, one arm raised as a woman works a needle at his sleeve and a taller woman at his other side draws a long thread taut. At the left a woman in a headscarf looks down at her sewing and a small girl in white stands by a wooden gate, while children gather at the right, two of them holding small flags.\u003c\/p\u003e\u003cp\u003eHomer painted this scene in 1877, showing preparations for Jonkonnu, a masquerade tradition that enslaved and formerly enslaved African Americans brought to the South (called Pinkster in the North). Two women stitch a Harlequin-like costume onto the central figure, the festival's traditional Lord of Misrule, while children look on, one holding a small flag. Scholars have read the scene, painted a decade after emancipation, as a meditation on how far Reconstruction had fallen short of its promises.\u003c\/p\u003e\u003cp\u003eWinslow Homer (1836–1910) was an American painter regarded as one of the foremost artists of nineteenth-century America. He began as a magazine illustrator during the Civil War, producing wood engravings of camp and battlefield life for Harper's Weekly, then turned increasingly to oil and watercolor; his early oil Home, Sweet Home (1863) is now in the National Gallery of Art. From the 1880s he painted the sea itself, in works such as The Fog Warning (1885), now in the Museum of Fine Arts, Boston, and The Gulf Stream (1899), now in the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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