{"product_id":"winslow-homer-thanksgiving-day-arrival-at-the-old-home-vintage-thanksgiving-print","title":"Winslow Homer — Thanksgiving Day: Arrival at the Old Home | Vintage Thanksgiving Print","description":"\u003cp\u003eAn elderly man with white hair, spectacles pushed up on his forehead and a cane in hand clasps the outstretched hand of a young woman in a bonnet and dark crinoline who hurries towards him. A bearded man behind them raises his top hat, and a woman in a white cap and spectacles waits near the doorway, where a boy waves his cap and a small dog leaps on the step. Two children come from a carriage at the right, under a snow-laden fir tree and a flight of birds.\u003c\/p\u003e\u003cp\u003eThe engraving ran on page 760 of Harper's Weekly for 27 November 1858, printed beneath its companion Thanksgiving Day: Ways and Means, a farmyard scene of turkeys. The Metropolitan Museum of Art holds the whole page.\u003c\/p\u003e\u003cp\u003eThe original: wood engraving, published in Harper's Weekly, 27 November 1858; Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eWinslow Homer (1836–1910) was an American painter regarded as one of the foremost artists of nineteenth-century America. He began as a magazine illustrator during the Civil War, producing wood engravings of camp and battlefield life for Harper's Weekly, then turned increasingly to oil and watercolor; his early oil Home, Sweet Home (1863) is now in the National Gallery of Art. From the 1880s he painted the sea itself, in works such as The Fog Warning (1885), now in the Museum of Fine Arts, Boston, and The Gulf Stream (1899), now in the Metropolitan Museum of Art.\u003c\/p\u003e\u003cp\u003eEach print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. 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