{"product_id":"yasui-sotaro-portrait-of-a-girl-fine-art-print","title":"Yasui Sōtarō — Portrait of a Girl | Fine Art Print","description":"\u003cp\u003eA girl with a blue-black bob and a straight fringe sits turned to the left, gazing ahead, one hand laid over the other in her lap. Her kimono is painted in broad flat patches of scarlet, pale peach and tan, with a white collar at the throat, an orange-and-white obi and a pale grey bow at her back. The yellow ground is thinly brushed; a pink curtain falls at the left edge, where the signature S.Yasui is lettered in pink near the bottom.\u003c\/p\u003e\u003cp\u003eThe original: oil on canvas, 1937, 61.5 × 51.9 cm, Miyagi Museum of Art, Sendai.\u003c\/p\u003e\u003cp\u003eYasui Sōtarō (1888–1955) was a Japanese painter and a leading figure in yōga, the Western-style oil painting that Japanese artists brought home from Europe. Born in Kyoto, Yasui trained under Asai Chū and Kanokogi Takeshirō before spending 1907 to 1914 in Paris at the Académie Julian under Jean-Paul Laurens, and returned marked above all by Cézanne — the flattened planes, the built structure, the frank colour. Portrait of a Woman (1930) brought wide critical acclaim and Kin'yo (1934) is the best known of the portraits, painted with the sitter's dress as a field of pattern against a plain ground. A member of the Nikakai from 1915 and co-founder of the Issuikai in 1936, Yasui was appointed to the Imperial Art Academy in 1935 and received the Order of Culture in 1952. The work is held by the Art Institute of Chicago, the National Museum of Modern Art, Tokyo, and the Ōhara Museum of Art.\u003c\/p\u003e\u003cp\u003ePrinted as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. 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