Utagawa KunihiroUme ni Kago no Uguisu (Plum Blossoms and a Caged Warbler)1829 · Japanese Woodblock Print (Ukiyo-e)
Two birdcages, plum blossom and poems in a quiet still life
Price$165 CAD
Free shipping and import duties covered on every order.
Printed to order. Usually arrives in 5–11 business days.
If it arrives damaged, defective or not what you ordered, we make it right at no cost. Returns & guarantee
The print & the framePaper, frame, glazing and hanging
Print
Giclée, printed to order with water-based inks.
Paper
Hahnemühle German Etching, 310gsm: a heavyweight, velvety matte fine-art paper with a warm white tone and a light texture.
Archival matte fine-art paper.
200gsm matte fine-art paper.
Frame
Solid wood with a satin finish, handmade to order. About 20 mm wide and 22 mm deep.
Glazing
Low-reflection glazing.
Mount
None. The print fills the frame.
Hanging
Framed prints arrive ready to hang.
Each frame is made to order by one of our framing workshops, so the exact shade and profile may vary slightly from the photos.
A barrel-topped bamboo birdcage bound with red bands sits on a carved red base, a small grey bird inside, atop a box draped in blue cloth with lozenge crests, a red-latticed door and a blue drawstring pouch. To the left, a smaller square cage holds a second bird, with a rough plum branch in white and red blossom tied across its top by a red ribbon. Columns of poems in black ink run across the upper left; the signature and a round red seal sit at the upper right.
The original: a surimono, a privately published colour woodblock print on a full ōbōsho sheet, Osaka, 1829, attributed to Ganjōsai Kunihiro. Library of Congress, Washington, D.C.
Utagawa Kunihiro, also known as Ganjōsai Kunihiro, designed woodblock prints in Osaka from the 1820s to the 1840s. Osaka prints of the period were made largely for kabuki audiences, and Kunihiro portrayed actors in their roles alongside contemporaries such as Ashiyuki and Hokushū. He also designed surimono, privately published prints that set a picture beside poems written by members of a poetry circle. His prints are held by the Library of Congress.
Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in solid wood with low-reflection glazing, or unframed. Ships worldwide with free delivery to 30+ countries.
Utagawa Kunihiro — Ume ni Kago no Uguisu (Plum Blossoms and a Caged Warbler) | Japanese Woodblock Print (Ukiyo-e)Price$165.00
The print is colorful and pleasing to the eye. The paper is of high quality with good thickness that is great for display by itself or in a frame. A good price for the quality! Thank you!
Taylor H.
Verified buyer · reviewed on our Etsy shop · March 2026 Unframed Hahnemühle · Accent - 12x18 inches
The print is so exquisite that I literally gasped upon opening it! The quality of color and paper is museum quality and well worth the purchase price This vendor is now at the top of my list in ordering future art prints!
Imani S.
Verified buyer · reviewed on our Etsy shop · February 2026 Unframed Hahnemühle · MASTERPIECE - 24x36 inches
NO VAGUE “MUSEUM QUALITY” CLAIMS. JUST THE SPECIFICATIONS.
FAQ
Fine-art quality should be something you can verify.
Here is exactly what goes into a 9 Art Prints reproduction.
What makes a 9 Art Prints reproduction different?
A lot of art-print sellers describe their work as “museum quality”
without telling you what that actually means. We prefer specifications.
Our fine-art reproductions are produced using professional giclée printing
on genuine Hahnemühle fine-art papers, selected to suit the artwork.
We work from high-resolution source material and prepare each image
specifically for print, with close attention to colour, detail and tonal range.
What paper do you use?
Our principal fine-art papers include
Hahnemühle German Etching 310gsm and
Hahnemühle Photo Rag 308gsm.
German Etching has a substantial, lightly textured surface that works
exceptionally well for paintings and richly coloured works. Photo Rag
has a smoother cotton surface suited to graphic, modernist and highly
detailed imagery.
Paper is selected according to the character of the artwork rather than
using one generic stock for everything. Framed prints are printed on 200gsm matte fine-art paper.
What does “giclée” actually mean?
Giclée is a professional fine-art printing process using archival pigment
inks and high-resolution inkjet technology. Unlike inexpensive poster
printing, it is designed to reproduce subtle colour gradations, fine detail
and tonal depth.
It is a reproduction method widely used by artists, photographers,
galleries and professional fine-art printers.
So is this really “museum quality”?
We would rather tell you what we use and let you decide.
Genuine Hahnemühle fine-art paper, professional giclée printing,
archival pigment inks and carefully prepared high-resolution artwork
are measurable things.
“Museum quality” by itself is not.
Will large prints still look sharp?
Large-format reproduction depends heavily on the quality of the underlying
artwork file. We source the highest-resolution material available and
prepare each image for print rather than simply enlarging a small internet image.
That is especially important with historic paintings, posters and archival
works where source quality varies considerably.
Are these just posters?
No. A poster can be printed cheaply on lightweight commercial paper.
Our fine-art editions are intended as permanent pieces of wall art,
produced on heavyweight fine-art substrates with professional printing methods.
For graphic or poster artwork, the image may be a historic poster;
the object you receive is still a fine-art reproduction.
What about your framed prints?
Our framed pieces use solid-wood frames, handmade to order, with low-reflection glazing. There is no mount: the print fills the frame. Framed prints are printed on 200gsm matte fine-art paper.
The goal is the same as with the print itself: use materials appropriate
for a piece you intend to keep.
Will the colours look exactly like my screen?
Screens emit light; paper reflects it, so no physical print can be identical
to every monitor or phone display. We prepare our artwork specifically for
print and aim for accurate colour, contrast and tonal reproduction.
The texture and surface of fine-art paper also give the finished piece
a physical depth that cannot be shown completely on a screen.
“I am not just impressed; I'm blown away by the quality and overall experience. The wood grain in the frame is beautiful and the print quality is superb.”
Scarlett C. · verified buyer from our Etsy shop · framed in natural oak
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