About 9 Art Prints
A wider world of art, reproduced beautifully
9 Art Prints was founded by author Arif Anwar around two simple ideas.
The first was that the art we live with should extend far beyond the small group of familiar names that dominate Western art retail.
Across centuries and continents, extraordinary artists, illustrators, printmakers, photographers, and artistic traditions have created remarkable work. 9 Art Prints was built to make more of that world visible — while still including the great masters of the familiar canon.
Our collection spans countries, periods, and movements, from Japanese woodblock printing and South Asian modernism to Symbolism, illustration, illuminated manuscripts, photography, abstraction, and much more.
The second idea was that fine art reproductions should be treated as serious objects in their own right.
We use carefully sourced images, archival giclée printing, and premium Hahnemühle fine art papers, with the goal of producing prints worthy of the artworks themselves. We also believe customers should know what they are buying, which is why we are specific about our materials and processes rather than relying on vague claims of “museum quality.”
Since its founding in 2022, 9artprints.com has reached art lovers and collectors in more than 500 cities across more than 30 countries around the world, earning consistently high ratings from customers.
Today, the collection brings together thousands of works from around the world, reproduced as premium fine art prints for homes everywhere.
We believe buying art should be an act of discovery — and that when you find something worth living with, the print itself should be worthy of the art.
Founded by Arif Anwar
Before founding 9 Art Prints, Arif earned a PhD from the University of Toronto and worked internationally as a consultant, including for the United Nations. His debut novel, The Storm, was published by Simon & Schuster and featured on the cover of The New York Times Book Review.
His background in literature, history, and international work helped shape the collection: broad in scope, curious about overlooked artists and traditions, and focused as much on discovery as on the familiar.