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Shop by Style · 1144 prints

Vintage Poster & Art Deco Prints

Vintage poster and Art Deco prints: advertising, travel and film posters and Art Deco illustration from the 1900s to the 1950s. The largest groups are German posters by Ludwig Hohlwein (1907 to 1919) for shops, cafés, food, sport and events, and Swiss travel and advertising posters by Emil Cardinaux (1905 to 1928) for Zermatt, the Jungfrau Railway, St. Moritz and Swiss railways. The collection also includes French travel posters by Roger Broders (1920s), George Barbier's Art Deco fashion plates such as La Flûte de Pan (1923), and film posters for Metropolis (1927), Attack of the 50 Foot Woman (1958) and Saul Bass's Vertigo (1958) and Anatomy of a Murder (1959).

The posters were chosen for clear graphic design made to be read from a distance.

They suit kitchens, entryways, home bars and media rooms. All prints are museum-quality reproductions, available unframed or framed with low-glare acrylic glazing, with free shipping and import duties covered.

Prelude No. 3 — George Gershwin
Browse all 1144 prints
Saul Bass — Vertigo (1958) | Hitchcock Vintage Movie Poster Print - 9ArtPrints
Metropolis (1927) | Fritz Lang Vintage Expressionist Movie Poster Print - 9ArtPrints
Vintage Illustration — Gold Butterfly | Fine Art Print - 9ArtPrints
La Flûte de Pan by George Barbier — A capped piper plays panpipes for a woman on a Greek hilltop
Elle et Lui by George Barbier — A couple share a golden cloak beside a gondola at dusk
Emerald Moth Diptych Butterfly Art Prints: Vintage Gold Duo - 9ArtPrints
Attack of the 50 Foot Woman (1958) | Vintage Sci-Fi Movie Poster Print - 9ArtPrints
Saul Bass — Anatomy of a Murder (1959) | Vintage Movie Poster Print - 9ArtPrints
Savon Starlight by Henri Meunier — A child in a blue washtub watches a yellow butterfly on the water
Léo-Bert by Georges de Feure — A man in a tailcoat flings one arm up under a slanting name
Fürst von Metternichsche Richardsquelle by Koloman Moser — A swimmer with orange hair reaches into a blue spray of bubbles
Design for a box of Lefèvre-Utile biscuits by Alphonse Mucha — A mandolin player on a quay above gondolas in pale yellow light
Plakat für die 5. Ausstellung der Secession by Koloman Moser — A winged gold figure clasps a shield on a deep green ground
Jules Massenet’s Werther by Eugène Grasset — A kneeling lover and a cluster of children in two grey roundels
Ver Sacrum V. Jahr by Koloman Moser — Three women under great blue-black discs of hair against rust red
Les Capitales du Monde. Hachette & Cie. editeurs by Eugène Grasset — A red-haired woman in a turreted crown raises a title banner
La carrière d’un navigateur – Albert Prince de Monaco by Paul Berthon — A two-masted schooner under full sail on a rose-brown sea
Baluch (Silhouette) (1972) — A grid of stencilled faces in maroon and ochre above a raised rifle
Sixth Festival of Free Cinema, Khorramabad (1978) — A faceless black head with scribbled rainbow eyes in a white glow
So Can I (1975) — Two great wings, one blue and one black, sweep over a young face
Raqaseh-ye Shahr (The City Dancer) (1970) — A laughing woman cheek to cheek with a man in a black hat
Tangsir (1973) — A bearded man in white strides forward with a rifle across red
Samad on the Way to the Dragon (1977) — A startled man in a skullcap before a coiling red dragon
Gaav (The Cow) (1969) — Three men in a grainy close photograph under a red title
Association of Ideas (1973) — An infant curled in a globe beneath a hand on a bent arrow
Dar (The Trap) (1972) — A black bird with a white eye stooping over a dark blue mound
Naked Until Noon (1976) — A moustached face at the heart of rainbow rings above an embrace
Bon-Bast (Dead End) (1977) — A woman's face inside an open green window on deep blue
Alaf-haye Harz (Weeds) (1976) — Two clasped hands rise from bare earth wrapped in green vines
Gaav (The Cow, Second Poster) (1969) — Six copies of one moustached man shrink down into a cow's head
Mogholha (The Mongols) (1973) — A band of robed runners charges above a man with a scratched face
Bita (1972) — A woman's red face smiles above a man in a newspaper hat
Baluch (1972) — A rider on a camel crosses a black head under a sheet of red
Marsiyeh (Elegy) (1978) — A bearded man in a cap set into a lilac silhouette with a bowed head
Qeysar (1969) — A seated man in a black silhouette broods below a row of faces
The Circle (1976) — Planet Earth held in a red ring against a starry black sky
Postchi (The Postman) (1972) — A pen-drawn head in orange-lensed spectacles with a flag stuck on top
Bird of Doom (1973) — A smoky skull with white eye sockets above a purple beaked shape
Nefrin (The Curse) (1973) — A scowling face in hard black shadow set inside a red square
When a Father Goes Astray (1972) — A tousled man between a brandy glass and a bottle holding two boys
Far from Home (1975) — A lone man in a dark coat leans on a railing among falling raindrops
The Invisible Ray (1936) by Karoly Grosz — Green sparks leap from a hunched man's hands toward a telescope
The Mummy: It Comes to Life! (1932) by Karoly Grosz — A mummy's cracked blue-green face against flaring orange strokes
Dracula's Daughter (1936) by Karoly Grosz — Red-irised eyes stare out from a green face on a black ground
My Man Godfrey (1936) by Karoly Grosz — A blonde in pink silk perched on a butler's tray of cocktails
Wives Under Suspicion (1938) by Karoly Grosz — A moustached man raises one finger against red and mauve washes
Streets of Sorrow: Greta Garbo (1927) — Lit windows and lanterns glow over a street of dark figures
The Ghost of Slumber Mountain (1918) — A tyrannosaur rears over a horned dinosaur under an orange sky