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Frank Tenney Johnson — Moonlight in the Canyon | Western Art PrintFrank Tenney Johnson — Moonlight in the Canyon

Shop by Subject · 339 prints

American West Art Prints

Cowboys, cavalry, chiefs and the open plains

American West art prints: paintings, illustrations and photographs of the American frontier and Native American life from the 1830s to the 1930s. Early works include George Catlin's portraits of Plains chiefs, Alfred Jacob Miller's fur-trade scenes, Seth Eastman's Dakota and Ojibwe villages and John Mix Stanley's prairie scenes. Albert Bierstadt, Thomas Moran, Thomas Hill and William Keith painted the Rocky Mountains, Yosemite and Yellowstone. Cowboy and cavalry art comes from Frederic Remington, Charles M. Russell, Charles Schreyvogel, Edward Borein and Frank Tenney Johnson, with desert paintings by Maynard Dixon, photographs by Edward S. Curtis and Hiroshi Yoshida's woodblock prints of El Capitan and the Grand Canyon.

The wide mountain and prairie views suit living rooms and offices, above a sofa or desk; the portraits and photographs work in hallways and studies. All prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.

Lento, from the American Quartet — Antonín Dvořák
Browse all 339 prints

Featured listing

Moonlight in the Canyon by Frank Tenney Johnson — Two riders pick their way along a canyon trail under a starry sky
Framed art print of Moonlight in the Canyon by Frank Tenney Johnson, in a slim black frame on a plain white wall
Framed art print of Moonlight in the Canyon by Frank Tenney Johnson, in a light wood frame on a white panelled wall
Framed art print of Moonlight in the Canyon by Frank Tenney Johnson, above a slatted wood sideboard

Frank Tenney Johnson — Moonlight in the Canyon | Western Art Print

Price$165 CAD
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Two Native American riders come towards us along a rocky trail between towering canyon walls at night. The leader, in a white shirt and white headband, sits a cream horse with a white blaze and a red saddle blanket; behind him a second rider in a headband carries a rifle on a bay. Moonlight catches the pale horse, the trail and the rock faces, while the sky between the cliffs is a deep teal pricked with stars. Signed and dated 1928 lower left.

Frank Tenney Johnson (1874–1939) was an American painter and illustrator of the West, known for night scenes lit only by moonlight and starlight. Born on a farm in Pottawattamie County, Iowa, he studied at the Milwaukee School of Art and, from 1895, at the Art Students League of New York under John Henry Twachtman. From 1904 to 1920 he worked mainly as an illustrator for Field & Stream while travelling west for material; in 1912 he sketched with Charles M. Russell on the Blackfoot Reservation in Montana. In 1920 he moved to Alhambra, California, and from 1931 kept a studio at Cody, Wyoming, outside Yellowstone. His work is held by the Buffalo Bill Center of the West and the Gilcrease Museum.

Each print is made to our Archival Museum Standards: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. Ships worldwide with free delivery to 30+ countries.
338 more American West prints below
Hiroshi Yoshida Mount Rainier Print: Vintage Japanese Woodblock Art - 9ArtPrints
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Hiroshi Yoshida — El Capitan Giclee | Japanese Woodblock Print (Shin Hanga) - 9ArtPrints
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Hiroshi Yoshida — The Grand Canyon Giclee | Japanese Woodblock Print (Shin Hanga) - 9ArtPrints
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Stagecoach (1939) — A galloping team hauls a stagecoach down a steep blue slope
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The Searchers (1956) by Bill Gold — Two riders stop on a red rock plain under a burning sky
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Pony Tracks by Frederic Remington by Edward Penfield — A man in a red neckerchief with his chestnut horse on a loose rein
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Peh-tó-pe-kiss, Eagle's Ribs, a Piegan Chief (Half-Length) by George Catlin — A man in a fringed shirt with a quilled disc on the chest
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The Mexican Major by Frederic Remington — A sombreroed horseman and a bugler before a line of cavalry
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Au-nim-muck-kwa-um, Tempest Bird by George Catlin — Red mouth bar, black cheek slashes and a collar of curved claws
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Weapons and Physiognomy of the Grizzly Bear by George Catlin — A grizzly's head and curved claws, a second bear at left
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The Flight by Frederic Remington — A rider on a dapple-grey gallops across sagebrush, pistol raised
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Signaling the Main Command by Frederic Remington — Cavalry troopers raise a banner on a pole over a pale desert
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The Blanket Signal by Frederic Remington — A rider on a grey horse raises a red-orange blanket
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The Buffalo Hunt by Frederic Remington — Two mounted hunters close on a bison across a yellow plain
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Bread, Chief of the Tribe by George Catlin — A man in a red striped headscarf and a blue strap
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O-tá-wah, The Ottaway, a Warrior by George Catlin — Blue and red face paint, a red headband, a long feathered shaft
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Láh-shee, The Licker, called 'Creek Billy' by George Catlin — A man in a striped turban, red sash and silver gorgets
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Aú-nah-kwet-to-hau-páy-o, One Sitting in the Clouds, a Boy by George Catlin — A young sitter in a salmon-red feather and a white fur robe
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Shó-me-kós-see, The Wolf, a Chief by George Catlin — A man in a tall feather crest and silver medallion
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The Laughing Waters Three Miles Below the Falls of St. Anthony by Seth Eastman — A bowman on a rock ledge below a double waterfall
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Roasting the Christmas Beef in a Cavalry Camp by Frederic Remington — Cavalry troopers roast a Christmas joint in a tented camp
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Moose Head by Frank Tenney Johnson — A bull moose raises its great palmate antlers in profile
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Prairie Bluffs Burning by George Catlin — Fire sweeps over golden bluffs above a river
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The Round-Up by Frederic Remington — A cowboy fires a revolver skyward as longhorns surge past
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Episode of the Buffalo Gun by Frederic Remington — Three riders hold a sunlit slope above a blue river
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The Last Stand by Frederic Remington — Riflemen kneel in the grass as a man is carried across the plain
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The Lookout by Frederic Remington — A rider pauses on a rocky ridge above a hazy desert
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Buffalo Bull, Grazing on the Prairie by George Catlin — A bison bull turns to face the viewer on open prairie
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Wá-nah-de-túnk-ah, Big Eagle (or Black Dog), Chief of the O-hah-kas-ka-toh-y-an-te Band by George Catlin — A pipe and a white robe set off a face striped in red
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Háh-je-day-ah'-shee, Meeting Birds, a Brave by George Catlin — A red-painted face under a fur cap and red feather spray
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The Advance Guard by Frederic Remington — A cavalry trooper rides at a trot across a pale plain
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Chée-ah-ká-tchée, Wife of Nót-to-way by George Catlin — A woman in a pale fringed dress holds her infant in a cradle frame
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Say-say-gon, Hail Storm, War Chief by George Catlin — A horned cap and red strands frame a painted face
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The Herd Boy by Frederic Remington — A lone rider on a gaunt horse crosses a snowbound plain
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Old Ramon by Frederic Remington — A smiling rider in a wide hat on a red horse, rifle across his lap
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Stán-au-pat, Bloody Hand, Chief of the Tribe by George Catlin — An Arikara man with a red-painted face, quillwork shirt and a knife
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View in the Big Bend of the Upper Missouri by George Catlin — Banded orange hills rise above a pale bend of the Missouri
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