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N. C. Wyeth — I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table | Illustration Art PrintN. C. Wyeth — I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table

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Art prints that feel Dramatic — works chosen for the mood they bring to a room, printed to order. All chosen by hand, with free shipping and import duties covered.

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I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table by N. C. Wyeth — Two knights in mail face each other in a meadow below a
Framed art print of I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round… by N. C. Wyeth, in a slim black frame on a plain white wall
9 Art Prints difference: giclée on Hahnemühle fine art paper, 12-ink pigments, 310 GSM
Verified customer reviews of 9 Art Prints giclée art prints
Framed art print of I am Sir Launcelot du Lake, King Ban’s son of Benwick… by N. C. Wyeth, in a light wood frame leaning on a pink wall above a wooden floor

N. C. Wyeth — I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table | Illustration Art Print

Price$165 CAD
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Two knights in scale armour face each other in a sunlit meadow below a hilltop castle. At left, seen from behind, one in a blue surcoat and pointed helm grips his sword hilt, a tall shield at his side; opposite, a dark-haired knight in a red surcoat bearing a gold heraldic beast holds his helmet under one arm. Beyond, a lady on a white horse and a figure in green wait near a form lying in the grass. From the 1917 edition of The Boy's King Arthur.

N. C. Wyeth (1882–1945) was an American painter and illustrator. Born in Needham, Massachusetts, he studied at the Massachusetts Normal Art School and the Eric Pape School of Art before joining Howard Pyle in the Brandywine Valley. His first commission was a 1903 Saturday Evening Post cover, and trips West fed a run of cowboy and Native American subjects. His illustrations for Scribner's Treasure Island (1911) paid for his house and studio at Chadds Ford, Pennsylvania, and were followed by Kidnapped and The Last of the Mohicans. His work is held by the Brandywine Museum of Art, which preserves his studio, and the Metropolitan Museum of Art.

Each print is made to our Archival Museum Standards: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. Ships worldwide with free delivery to 30+ countries.
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