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Shop by Style · 83 prints

Abstract & Colour Field Prints

Abstract and colour field art prints: non-figurative paintings and works on paper made of shapes, lines and areas of colour. Artists include Hilma af Klint, Karl Wiener and Francis Picabia, plus a colour field print after Mark Rothko. Hilma af Klint's works, made in Sweden from 1906 onwards, include The Ten Largest, The Parsifal Series and The US Series. Karl Wiener's abstract compositions and colour studies from 1920s Austria carry titles such as Andante, Allegro, Anger and Noise. Picabia's La Source dates from 1912.

The selection focuses on early abstraction, made in the first decades of the 20th century when painters first set aside the recognisable subject.

The bold shapes and colours suit modern living rooms, offices and dining rooms; the series work well hung as a set along one wall. All prints are museum-quality reproductions, available unframed or framed with low-glare acrylic glazing, with free shipping and import duties covered.

The Man I Love — Gershwin · Constantin Stephan, pianoCC BY-SA 4.0
Browse all 83 prints
After Mark Rothko — Blue, Yellow and Red (Colour Field) | Fine Art Print - 9ArtPrints
The Parsifal Series, No. 1 by Hilma af Klint — Concentric rings spiral inward to a point of light in a dark wash
The US Series, Group VIII, No. 7 by Hilma af Klint — A gold cross and a black cross meet over lace discs and rainbow bands
The Five, No Title by Hilma af Klint — A yellow oval rises from blue petals inside a rounded pastel frame
The US Series, Group VIII, No. 5 by Hilma af Klint — Translucent figures hang on pastel crosses beneath a white star
The US Series, Group VIII, No. 6 by Hilma af Klint — Two rose-ringed crosses in a tall diamond over black and orange
The US Series, Group VIII, No. 1 by Hilma af Klint — A golden figure rises through red spirals beneath two kneeling figures
Zorn (Anger) by Karl Wiener — Clashing chevrons of red, blue and violet crayon
Zersetzung II (Decomposition II) by Karl Wiener — Pooling greens torn open by flares of red-orange and yellow
Zersetzung I (Decomposition I) by Karl Wiener — Pooled washes of orange, yellow, teal, violet and deep blue
Variation by Karl Wiener — Black arcs cut a pink grid into cells of red, orange and green
Phantasie (Fantasy) by Karl Wiener — Bright swatches of colour burst around a small red house
Untitled (Coloured Rings) by Karl Wiener — Rings of red, yellow and teal swirl round a pale green core
Untitled II by Karl Wiener — Splintered wedges of red, green, yellow and teal ringed in black ink
Leere (Emptiness) by Karl Wiener — A pale teal field above a band deepening to rich blue
Lärm (Noise) by Karl Wiener — Splintered shards of red, yellow, pink and blue collide
Komposition: Zellen (Composition: Cells) by Karl Wiener — Rounded blocks of red, blue, green and orange crowd a pencilled square
Finale by Karl Wiener — Flame-like ribbons rising over blue domes in crayon
Fieber (Fever) by Karl Wiener — A red field of circles, arcs and fans in crayon colour
Colour Study No. 4 (Farbstudien) by Karl Wiener — Layered blues with violet at the left and a yellow band
Colour Study No. 6 (Farbstudien) by Karl Wiener — A glowing orange block between deep blue sky and green ground
Colour Study No. 5 (Farbstudien) by Karl Wiener — Orange, yellow and sage watercolour in layered shapes
Colour Study No. 10 (Farbstudien) by Karl Wiener — Bands of blue, yellow and red above a dark horizon
Colour Study No. 3 (Farbstudien) by Karl Wiener — A glowing yellow core fades to crimson above dark green slopes
Colour Study No. 2 (Farbstudien) by Karl Wiener — Sweeping washes of blue, violet and green across cream paper
Colour Study No. 1 (Farbstudien) by Karl Wiener — Orange and green watercolour washes meeting on cream paper
Ekstase (Ecstasy) by Karl Wiener — Flame-like ribbons of yellow, orange and turquoise in chalky pastel
Dissonanzen (Dissonances) by Karl Wiener — Colliding shards of red, yellow, teal and violet cut by black
Deformation by Karl Wiener — Tilted bands of red and orange cut across stacked blocks and arches
Deformation I by Karl Wiener — Interlocking facets of red, yellow and blue crossed by dark lines
From My Life No. 18 by Karl Wiener — A pale glowing disc ringed in orange and red above dark blue hills
From My Life No. 17 by Karl Wiener — Ochre, red and blue rings around a white core, cut by a bar
From My Life No. 16 by Karl Wiener — A trembling blue lattice set in a block of black paint
Auflösung (Dissolution) by Karl Wiener — A whirl of orange, yellow and teal bleeding through dark wavy lines
Andante by Karl Wiener — Waves of orange, magenta and green with a line of dark dots
Allegro by Karl Wiener — A glowing yellow oval wrapped in swirling crayon colour
Adagio by Karl Wiener — Ribbons of red, yellow and blue sweeping over pale watercolour washes
Historic Surface Studies | Graphik Paper Archive (Trade Collection) - 9ArtPrints
The Ten Largest, No. 3, Youth by Hilma af Klint — Spiralling shells and a quartered disc glow on burnt orange
The Ten Largest, No. 1, Childhood by Hilma af Klint — A wreath of blossoms and looping orange spirals on deep blue
La Source (The Spring) by Francis Picabia — Shards of terracotta, pink and black fracture the canvas
Untitled by Wassily Kandinsky — A haloed yellow disc and a rust-brown crescent on white paper
Regulated Heap by Wassily Kandinsky — A biomorphic field of dots and shapes floats on pale pink
Small Planes by Wassily Kandinsky — A tilted grid of small colour planes on black
Improvisation 26 (Rowing) by Wassily Kandinsky — Black oar-like lines cross a soft field of blue and gold
Painting with Green Center by Wassily Kandinsky — A fractured field of red, blue and green shapes
Red Spot II by Wassily Kandinsky — A red wedge anchors a drifting field of small abstract shapes
Impression III (Concert) by Wassily Kandinsky — A black wedge of sound cuts across a field of yellow