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N. C. Wyeth — I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table | Illustration Art PrintN. C. Wyeth — I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table

Shop by Mood · 1054 prints

Dramatic Art Prints

Dramatic art prints: paintings, prints and posters of battles, storms, executions, conflict and moments of high tension. The largest group is Jacques Callot's etching series The Large Miseries of War (1633). The collection also includes Rembrandt's The Storm on the Sea of Galilee (1633), Jacques-Louis David's Napoleon Crossing the Alps, Jean-Léon Gérôme's The Death of Caesar and The Christian Martyrs' Last Prayer, woodcuts by Hans Baldung Grien, William Blake's engravings for Dante and the Book of Job, etchings by Max Klinger and James Ensor, John Martin's Paradise Lost mezzotints, a Persian battle miniature, the Metropolis film poster (1927) and Soviet propaganda posters. These works suit rooms that can take a strong, dark image.

The paintings work as a single large piece in a living room or study; the Callot etchings work as a series along a hallway. All prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.

Coriolan Overture — Ludwig van Beethoven
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I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table by N. C. Wyeth — Two knights in mail face each other in a meadow below a
Framed art print of I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round… by N. C. Wyeth, in a slim black frame on a plain white wall
Framed art print of I am Sir Launcelot du Lake, King Ban’s son of… by N. C. Wyeth, in a light wood frame leaning on a sage green wall above a wooden floor
Framed art print of I am Sir Launcelot du Lake, King Ban’s son of Benwick, and… by N. C. Wyeth, in a thin light frame on a sunlit wall above a wooden sideboard

N. C. Wyeth — I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table | Illustration Art Print

Price$165 CAD
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Two knights in scale armour face each other in a sunlit meadow below a hilltop castle. At left, seen from behind, one in a blue surcoat and pointed helm grips his sword hilt, a tall shield at his side; opposite, a dark-haired knight in a red surcoat bearing a gold heraldic beast holds his helmet under one arm. Beyond, a lady on a white horse and a figure in green wait near a form lying in the grass. From the 1917 edition of The Boy's King Arthur.

N. C. Wyeth (1882–1945) was an American painter and illustrator. Born in Needham, Massachusetts, he studied at the Massachusetts Normal Art School and the Eric Pape School of Art before joining Howard Pyle in the Brandywine Valley. His first commission was a 1903 Saturday Evening Post cover, and trips West fed a run of cowboy and Native American subjects. His illustrations for Scribner's Treasure Island (1911) paid for his house and studio at Chadds Ford, Pennsylvania, and were followed by Kidnapped and The Last of the Mohicans. His work is held by the Brandywine Museum of Art, which preserves his studio, and the Metropolitan Museum of Art.

Each print is made to our Archival Museum Standards: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with acrylic glazing, ready to hang. Ships worldwide with free delivery to 30+ countries.
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Storm Clouds over the Sea by Jacob van Ruisdael — A rust-sailed boat heels over a black sea beneath towering clouds
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The Jewish Cemetery by Jacob van Ruisdael — Graves and a ruined tower sit beneath a storm cloud and a rainbow
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Rough Sea at a Jetty by Jacob van Ruisdael — Two figures stand on a storm-battered jetty above a breaking sea
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Shipping on the Maas, Dordrecht by Aelbert Cuyp — A sailing barge heels into the wind off Dordrecht
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Head of a Faun by Jacob Jordaens — A weathered faun in profile against a dark ground
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Fighting Cocks by Frans Snyders — Two roosters square up head to head before a watching hen
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Two Watermills and an Open Sluice by Jacob van Ruisdael — Two thatched mills above a rushing sluice under heavy cloud
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Boar Hunt by Frans Snyders — A cornered boar turns on a closing pack of dogs
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View from the Coast of Norway by Jacob van Ruisdael — Waves explode against a rocky coast as two ships run before the gale
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Waterfall in the Foothills ("Norwegian Waterfall") by Jacob van Ruisdael — A white torrent pours over rocks beneath tall trees and a stormy sky
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Jesus Driving the Merchants from the Temple by Jacob Jordaens — Jesus drives money-changers and animals out of a columned hall
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The Scream of Shrapnel at San Juan Hill by Frederic Remington — Soldiers drop and cover their heads on a dirt road
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Au-nim-muck-kwa-um, Tempest Bird by George Catlin — Red mouth bar, black cheek slashes and a collar of curved claws
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Weapons and Physiognomy of the Grizzly Bear by George Catlin — A grizzly's head and curved claws, a second bear at left
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The Flight by Frederic Remington — A rider on a dapple-grey gallops across sagebrush, pistol raised
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The Blanket Signal by Frederic Remington — A rider on a grey horse raises a red-orange blanket
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The Buffalo Hunt by Frederic Remington — Two mounted hunters close on a bison across a yellow plain
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Prairie Bluffs Burning by George Catlin — Fire sweeps over golden bluffs above a river
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The Round-Up by Frederic Remington — A cowboy fires a revolver skyward as longhorns surge past
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Episode of the Buffalo Gun by Frederic Remington — Three riders hold a sunlit slope above a blue river
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The Last Stand by Frederic Remington — Riflemen kneel in the grass as a man is carried across the plain
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Stán-au-pat, Bloody Hand, Chief of the Tribe by George Catlin — An Arikara man with a red-painted face, quillwork shirt and a knife
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Scouts Climbing a Mountain by Frederic Remington — Riders in fur caps climb a sunlit sand slope in single file
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The Mule Pack by Frederic Remington — A long file of dark mules climbs a snowy ledge above a drop
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Indian Dance by Thomas Hill — A firelit dance under a full moon in a dark clearing
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No-ho-mun-ya, One Who Gives No Attention by George Catlin — A man with a red hair crest and a collar of bear claws
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Wi-jún-jon, Pigeon's Egg Head (The Light) Going To and Returning From Washington by George Catlin — One man shown twice: in feathered dress and in a dark
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Wash-ka-mon-ya, Fast Dancer, a Warrior by George Catlin — A red-painted man with a black hand across his face
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The Parley by Frederic Remington — Two riders meet on a sunlit slope, one hand raised, one held out
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The Scout by Frederic Remington — A rifle across his saddle, a scout reins in a pinto on a dry slope
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Danaé by Charles Martin — A woman in a vast red cape fights the wind over a mottled gold ground
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The Storm by William-Adolphe Bouguereau — Two girls hold each other on a shore beneath a darkening sky
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The Flagellation of Christ by William-Adolphe Bouguereau — Christ bound to a column, scourgers with raised cords, a crowd behind
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Empedocles and Panthea by George Barbier — A crowned man reaches towards a pale woman below a smoking volcano
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The Arab Falconer by Eugène Fromentin — A galloping falconer lifts his bird into a clouded sky
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The Simoom by Eugène Fromentin — Riders and horses bend into a storm wind on an open plain
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The Ambush by Eugène Fromentin — Two riflemen lie flat on a rise while a groom holds the horses
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Arab Horseman Carrying a Madman Behind Him by Eugène Fromentin — Two riders share a bay horse that tosses its head at a stream
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The Rout by Alberto Pasini — Horsemen with raised lances gallop through dust under towering clouds
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