A red pavilion above boats on a pale green shore

A wooded headland runs out into pale green water, its slope carrying a scatter of white-walled buildings and a temple roof among the trees. In the right foreground a red-pillared pavilion stands on the rock above the shore, and below it moored boats, stacked cargo and small figures work along a sand-coloured bank. The far shore is a low blue-grey line under a wide pale sky. Yoshida holds the print in soft sage, sand and chalk white with the pavilion's red as the single accent.

Hiroshi Yoshida (1876–1950) came to woodblock printing from Western-style oil and watercolour painting, and the meeting of the two defines his work. He travelled widely before turning to prints — the Alps, the Rockies, India, Egypt and China all enter his subjects — and in 1925 set up his own studio, supervising the carving and printing himself instead of working through a publisher. That control let him print one set of blocks in several colour states, so the same view could be given morning, evening or mist. His prints are held by the Metropolitan Museum of Art, the British Museum and the Art Institute of Chicago.

Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.