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Shop by Subject · 210 prints

Film & Cinema Art Prints

Film and cinema art prints: vintage movie posters and early cinema advertising from the 1890s to the 1960s. The collection includes Soviet film posters of the 1920s, including Zvenigora (1928), Fragment of an Empire (1929) and The Overcoat (1926), by designers such as Leonid Voronov and Mikhail Evstafiev; posters for Fritz Lang's Metropolis (1927), The Phantom of the Opera (1925), Charlie Chaplin's City Lights (1931), Breakfast at Tiffany's (1961) and Attack of the 50 Foot Woman (1958); and Saul Bass's designs for Vertigo (1958) and Anatomy of a Murder (1959). Early works include Jules Chéret's Pantomimes lumineuses poster (1892) and Ludwig Hohlwein's 1913 posters for Ernemann projectors.

The posters were chosen for their graphic design as much as for the films they advertise.

The bold posters suit media rooms, home offices and hallways. All prints are museum-quality reproductions, available unframed or framed with low-glare acrylic glazing, with free shipping and import duties covered.

Galop infernal, from Orpheus in the Underworld — Jacques Offenbach
Browse all 210 prints
Saul Bass — Vertigo (1958) | Hitchcock Vintage Movie Poster Print - 9ArtPrints
Metropolis (1927) | Fritz Lang Vintage Expressionist Movie Poster Print - 9ArtPrints
Attack of the 50 Foot Woman (1958) | Vintage Sci-Fi Movie Poster Print - 9ArtPrints
Saul Bass — Anatomy of a Murder (1959) | Vintage Movie Poster Print - 9ArtPrints
Baluch (Silhouette) (1972) — A grid of stencilled faces in maroon and ochre above a raised rifle
Sixth Festival of Free Cinema, Khorramabad (1978) — A faceless black head with scribbled rainbow eyes in a white glow
So Can I (1975) — Two great wings, one blue and one black, sweep over a young face
Raqaseh-ye Shahr (The City Dancer) (1970) — A laughing woman cheek to cheek with a man in a black hat
Tangsir (1973) — A bearded man in white strides forward with a rifle across red
Samad on the Way to the Dragon (1977) — A startled man in a skullcap before a coiling red dragon
Gaav (The Cow) (1969) — Three men in a grainy close photograph under a red title
Association of Ideas (1973) — An infant curled in a globe beneath a hand on a bent arrow
Dar (The Trap) (1972) — A black bird with a white eye stooping over a dark blue mound
Naked Until Noon (1976) — A moustached face at the heart of rainbow rings above an embrace
Bon-Bast (Dead End) (1977) — A woman's face inside an open green window on deep blue
Alaf-haye Harz (Weeds) (1976) — Two clasped hands rise from bare earth wrapped in green vines
Gaav (The Cow, Second Poster) (1969) — Six copies of one moustached man shrink down into a cow's head
Mogholha (The Mongols) (1973) — A band of robed runners charges above a man with a scratched face
Bita (1972) — A woman's red face smiles above a man in a newspaper hat
Baluch (1972) — A rider on a camel crosses a black head under a sheet of red
Marsiyeh (Elegy) (1978) — A bearded man in a cap set into a lilac silhouette with a bowed head
Qeysar (1969) — A seated man in a black silhouette broods below a row of faces
The Circle (1976) — Planet Earth held in a red ring against a starry black sky
Postchi (The Postman) (1972) — A pen-drawn head in orange-lensed spectacles with a flag stuck on top
Bird of Doom (1973) — A smoky skull with white eye sockets above a purple beaked shape
Nefrin (The Curse) (1973) — A scowling face in hard black shadow set inside a red square
When a Father Goes Astray (1972) — A tousled man between a brandy glass and a bottle holding two boys
Far from Home (1975) — A lone man in a dark coat leans on a railing among falling raindrops
The Invisible Ray (1936) by Karoly Grosz — Green sparks leap from a hunched man's hands toward a telescope
The Mummy: It Comes to Life! (1932) by Karoly Grosz — A mummy's cracked blue-green face against flaring orange strokes
Dracula's Daughter (1936) by Karoly Grosz — Red-irised eyes stare out from a green face on a black ground
My Man Godfrey (1936) by Karoly Grosz — A blonde in pink silk perched on a butler's tray of cocktails
Wives Under Suspicion (1938) by Karoly Grosz — A moustached man raises one finger against red and mauve washes
Streets of Sorrow: Greta Garbo (1927) — Lit windows and lanterns glow over a street of dark figures
The Ghost of Slumber Mountain (1918) — A tyrannosaur rears over a horned dinosaur under an orange sky
Hell Morgan's Girl (1917) — A woman flings her arms wide in a black dress under falling confetti
The Thing from Another World (1951) — Dripping red letters spell out a name against a dark green ground
The Sea Beast (1926) — A whale rears from green waves and upends a rowing boat of men
The Navigator (1924) — A diver in a riveted helmet drifts through red water among fish
12 Angry Men (1957) — A black knife blade splits a yellow sheet above a row of faces
Some Like It Hot (1959) — A winking blonde in black hugged by two red-curled figures
Underworld (1927) — A scowling man shields a wide-eyed woman in a red cloche
She (1925) — A kneeling woman clutches a warrior in a striped headcloth
Male and Female (1919) — A woman in leopard skin recoils from a crowned figure on a throne
Singin' in the Rain (1952) — Three dancers in yellow raincoats splash under open umbrellas
Roman Holiday (1953) — Two faces meet in a kiss on a yellow banner above a scooter
Ninotchka (1939) — A laughing woman with auburn hair tilts her face up from the page
The Midnight Limited (1926) — A black locomotive charges the viewer, its headlamp blazing