Two figures spiral into a white vortex on a field of red

Saul Bass (1920–1996) created the most iconic title sequences and posters in Hollywood history. His Vertigo (1958) poster — a spiralling vortex of red and black containing two falling figures — reduces Hitchcock's complex psychological thriller to a single image of vertiginous dread. It is widely taught in design schools as a perfect example of conceptual graphic reduction, and remains one of the most sought-after posters in cinema history.

Printed on Hahnemühle German Etching paper — the same stock museum studios use — through a twelve-ink archival pigment process that holds colour the way memory holds detail: precisely, completely. Frames are solid ash and oak, hand-made to order. Nothing between you and the image.