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Artist · 20 prints

James Ensor Prints

About James Ensor

James Ensor (1860–1949) was a Belgian painter and printmaker, born in the seaside town of Ostend on 13 April 1860. His family ran a souvenir shop selling carnival masks, novelties and seaside trinkets. At seventeen he enrolled at the Royal Academy of Fine Arts in Brussels. He was associated with Les XX ("The Twenty"), an independent artists' group founded in 1883. He was made a baron by King Albert in 1929 and died in Ostend on 19 November 1949.

The carnival masks sold in his parents' shop fed Ensor's best-known subject: grinning, grotesque masked faces that crowd his paintings and prints. His large painting Christ's Entry into Brussels in 1889 sets a small figure of Christ inside a noisy carnival procession, and it is now in the J. Paul Getty Museum in Los Angeles. James Ensor's work, with its harsh colour and strange, mocking crowds, stands apart from the polished art of his time.

James Ensor prints: reproductions of paintings and etchings by the Belgian artist James Ensor, made between 1888 and 1904. The collection includes Christ's Entry into Brussels in 1889 (1888), The Intrigue (1890), Skeletons Fighting over a Pickled Herring (1891), My Portrait in the Year 1960 (1888) and The Vengeance of Hop-Frog (1898).

This selection concentrates on his masks and skeletons. It includes the complete etching series The Seven Deadly Sins, with its title plate dominated by Death, along with skeletons warming themselves, fighting and painting, and crowds of masked figures. The etchings are black and white; the paintings use harsh reds, greens and yellows.

The etchings suit studies, hallways and home offices and can be hung together as a series; the colourful mask paintings work in living rooms and creative spaces. All prints are museum-quality reproductions, available unframed or framed with low-glare acrylic glazing, with free shipping and import duties covered.

Browse all 20 prints
The Vengeance of Hop-Frog by James Ensor — A jester climbs a chain above burning captives in a packed hall
My Portrait in the Year 1960 by James Ensor — The artist imagines himself as a skeleton stretched out on a mat
The Seven Deadly Sins: Lust by James Ensor — A bat-winged figure with a scythe leans over a sleeper
The Seven Deadly Sins: Envy by James Ensor — A crowd of staring faces envies a young couple and their baby
The Seven Deadly Sins: Avarice by James Ensor — A miser over his coins is struck down by hammer and knife
The Seven Deadly Sins: Anger by James Ensor — A street brawl erupts under a skeleton flying with a lance
The Seven Deadly Sins: Pride by James Ensor — A haughty man in evening dress stands amid bowing grotesques
The Seven Deadly Sins: Sloth by James Ensor — Two sleepers sink into a vast pillow as a winged clock flies by
The Seven Deadly Sins: Gluttony by James Ensor — Gorging diners and a skeletal waiter at a laden table
The Seven Deadly Sins Dominated by Death by James Ensor — A winged skull spreads its wings over seven grimacing faces
Skeletons Fighting over a Hanged Man (Geraamten twistend om een gehangene) by James Ensor — Two dressed-up skeletons duel with a duster and a pole as masks
Death Pursuing the Human Herd (La mort poursuivant le troupeau des humains) by James Ensor — A skeleton with a scythe sweeps over a street of panicking faces
Scandalized Masks (Masques scandalises) by James Ensor — A masked visitor in a doorway faces a beak-nosed drinker at his table
Old Lady with Masks by James Ensor — An old woman in a lace ruff ringed by grinning carnival masks
Skeletons Trying to Warm Themselves (Geraamten die zich willen warmen) by James Ensor — Skeletons in robes and a top hat crowd round a small iron stove
Skeleton Painter in His Studio (Het schilderend geraamte) by James Ensor — A skeleton in a blue suit paints at an easel in a crowded studio
Christ's Entry into Brussels in 1889 by James Ensor — A carnival crowd of masks floods a Brussels street under a red banner
Skeletons Fighting over a Pickled Herring by James Ensor — Two grinning skulls tug at one herring against a pink sky
The Intrigue by James Ensor — A crowd of grinning carnival masks presses close under a grey sky
The Astonishment of the Mask Wouse by James Ensor — A beaked carnival mask with a red parasol stares at a heap of masks