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Artist · 15 prints

Otto Eckmann Prints

About Otto Eckmann

Otto Eckmann was a German painter and designer, born on 19 November 1865 in Hamburg, and he died in Badenweiler in 1902. He trained at the schools of applied arts in Hamburg and Nuremberg and then at the Munich Academy. He exhibited paintings in Munich from 1890, but in 1894 he auctioned his paintings and turned to applied art. In 1897 he began teaching ornamental painting at the school of the Royal Museum of Applied Arts in Berlin.

Otto Eckmann became one of the leading designers of German Jugendstil, the German form of Art Nouveau. His drawings appeared in the art magazine Pan from 1895 and in the Munich weekly Jugend from 1896, which made his work widely known. He designed book covers, wallpapers, tapestries, ceramics and furniture, and in 1900 he created the Eckmann typeface, a decorative lettering cast by the Rudhardt type foundry. With Henry van de Velde he is credited as a founder of modern commercial graphic design.

Otto Eckmann prints: reproductions of the Jugendstil graphic designs, posters and decorative prints Otto Eckmann produced in Germany between 1895 and 1900. Works include Schwertlilien (1895), Nachtreiher (Drei Philosophen) (1896), Drei Schwäne auf dunklem Gewässer, Kunstgewerbeblatt, Neue Folge, März 1899 (1899) and AEG Weltausstellung Paris 1900 (1900).

This selection shows both sides of Eckmann's work. One is nature studies of irises, herons and swans on dark water, drawn with flowing outlines. The other is commercial design: exhibition posters, magazine and catalogue covers, a company title page, a packaging label and a sheet of marbled paper, many using his lettering.

The swan and iris designs suit living rooms, bedrooms and bathrooms, and the poster and lettering pieces work well in offices, studios and kitchens. All prints are museum-quality reproductions, available unframed or framed with acrylic glazing, with free shipping and import duties covered.

Browse all 15 prints
Marmorpapier (black cells on dark green) by Otto Eckmann — Black cells float on a dark green marbled ground
Umschlagtitel zu Tor Hedberg, Judas by Otto Eckmann — A dark-winged angel reaches over a kneeling man under stars
Ausstellung von Kunstwerken des Mittelalters und der Renaissance by Otto Eckmann — A medal portrait crowns a hand-lettered exhibition notice
Eine Rheinfahrt: Zweigverein Berlin des Vaterländischen Frauenvereins by Otto Eckmann — A harpist kneels on a cliff above a river steamer
Verpackungsaufkleber Portland-Cementfabrik Rüdersdorf by Otto Eckmann — A black bear stands in a green and orange label design
Titelblatt Helios Elektrizitäts-Aktiengesellschaft Köln-Ehrenfeld by Otto Eckmann — A symmetrical green bloom spreads above a company title
Drei Schwäne auf dunklem Gewässer by Otto Eckmann — Three white swans glide over dark rippling water
Schwertlilien by Otto Eckmann — Two black irises and tall blades cut in bold woodcut lines
Berlin und seine Arbeit: Amtlicher Bericht über die Berliner Gewerbe-Ausstellung 1896 by Otto Eckmann — A craftsman rolls his sleeve beneath a crowned stone
Gebrüder Schmidt, Frankfurt a. M. by Otto Eckmann — Pink poppies on looping green stems rise from a field of barley
Titel zu Seemann's Literarischer Jahresbericht und Weihnachtskatalog für 1896 by Otto Eckmann — A woman in a yellow gown flings books and blossoms into the air
AEG Weltausstellung Paris 1900 by Otto Eckmann — A looping orange border frames a monogram on a grey ground
Hier zu haben: Zeitschrift für bildende Kunst und Kunstgewerbeblatt by Otto Eckmann — A woman figurehead lunges from a ship's bow with a red shield
Kunstgewerbeblatt, Neue Folge, März 1899 by Otto Eckmann — A turkey with a fanned tail between two looping Art Nouveau stems
Nachtreiher (Drei Philosophen) by Otto Eckmann — Three night herons stand in vermilion water, beaks nearly touching