A warrior grips a long pole beneath the Fuji banner

A warrior in a pale green robe with a white headband grips a long brown pole diagonally across the composition, two sword hilts showing at his shoulder and waist. Behind him a red banner inscribed with the characters for Mount Fuji hangs beside a text-filled panel and the dark silhouette of a ship with rigging against teal water. His expression is fierce, brows drawn low. The series cartouche sits at upper right and Yoshitoshi's signature with a red seal at lower left.

Tsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.

Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.