




A haloed figure spreads her arms above a radiant golden chalice
Jan Toorop — Affiche voor het Internationaal Eucharistisch Congres, 1924 | Vintage Poster Print
Note: Framed prints require slightly longer production time
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Archival giclée on Hahnemühle fine-art paper
Made as fine art, not as a mass-market poster.
We reproduce each work from high-quality source material using a 12-ink archival giclée process on Hahnemühle fine-art paper, chosen to preserve the colour, detail and character of the original as faithfully as possible.
“The quality of color and paper is museum quality and well worth the purchase price.”
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A veiled female figure with a halo of stars spreads her arms wide beneath swirling red ornament, a small domed church and a crucifix at the upper right. Below her, a golden chalice bearing a host marked IHS radiates lines of light toward two kneeling figures in prayer and banked clouds. The composition, in blue, gold and cream, commemorates the International Eucharistic Congress of 1924, named in bold lettering at the foot of the sheet.
Jan Toorop (1858–1928) was a central figure in Dutch art between Van Gogh and Mondrian. Born in Java and trained in Amsterdam and Brussels, where he joined the avant-garde group Les XX, he moved through Impressionism and Pointillism to a Symbolist style of rhythmic lines drawing partly on Javanese motifs, and his 1894 poster for Delftsche Slaolie gave Dutch Art Nouveau its nickname, the slaoliestijl. After converting to Catholicism in 1905 he made religious works, posters, book designs and stained glass. His work is held by the Rijksmuseum, the Kröller-Müller Museum and the Kunstmuseum Den Haag.
Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.
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