The print is colorful and pleasing to the eye. The paper is of high quality with good thickness that is great for display by itself or in a frame. A good price for the quality! Thank you!
Taylor H.
Hiroshi Yoshida — The Wetterhorn Giclee







A plumed woman in a fur-trimmed cloak is served cocoa
Each frame is made to order by one of our framing workshops, so the exact shade and profile may vary slightly from the photos.
A woman in a tall feathered hat and fur-trimmed black cloak sits on a wooden chair holding up a small cup, an ice skate lying on the floor beside her. Beside her, a maidservant in traditional Dutch dress with a floral shawl and white cap pours from a copper pot at a green trestle table set with cups and a labelled cocoa tin. Pale grey silhouettes of skaters show through an archway behind them, framed by a green Art Nouveau border of scrolling vines.
Johann Georg van Caspel (1870–1928) was an Amsterdam painter, poster designer and architect who worked in the Jugendstil of the Belle Époque. After studying at the Rijksakademie and winning the Willink van Collenprijs in 1891, he painted figures and portraits until the Amsterdam printers Amand commissioned a series of posters from him, work from which was included in Les Maîtres de l'Affiche. He also designed book covers, calendars and picture books, and after settling in Laren in 1903 built more than thirty country houses in Het Gooi. His work is held by the Stedelijk Museum Amsterdam and the Drents Museum.
Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in solid wood with low-reflection glazing, or unframed. Ships worldwide with free delivery to 30+ countries.
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The print is colorful and pleasing to the eye. The paper is of high quality with good thickness that is great for display by itself or in a frame. A good price for the quality! Thank you!
Taylor H.
Hiroshi Yoshida — The Wetterhorn GicleeVrty nice print at very fair pricepoint. Comms with seller around shipping delay went smooth. Overall I'm very happy!
Y. L.
Kaoru Kawano — Girl with Yellow BirdThe print is so exquisite that I literally gasped upon opening it! The quality of color and paper is museum quality and well worth the purchase price This vendor is now at the top of my list in ordering future art prints!
Imani S.
Rudolf Ernst — The MusicianFrom the collection
Johann Georg van CaspelPhotography Vintage Ad Print in Blue and Yellow
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John Singer SargentStill Life with Daffodils
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John Singer SargentTyrolese Interior
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Gustave CaillebotteL’Assiette de pêches (Plate of Peaches)
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Gustave CaillebotteFruit Displayed on a Stand
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Joaquín SorollaPreparation of Raisins (Preparación de pasas)
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John Singer SargentLe Verre de Porto (A Dinner Table at Night)
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John Singer SargentMadame Gautreau Drinking a Toast
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NO VAGUE “MUSEUM QUALITY” CLAIMS. JUST THE SPECIFICATIONS.
Fine-art quality should be something you can verify. Here is exactly what goes into a 9 Art Prints reproduction.
A lot of art-print sellers describe their work as “museum quality” without telling you what that actually means. We prefer specifications. Our fine-art reproductions are produced using professional giclée printing on genuine Hahnemühle fine-art papers, selected to suit the artwork. We work from high-resolution source material and prepare each image specifically for print, with close attention to colour, detail and tonal range.
Our principal fine-art papers include Hahnemühle German Etching 310gsm and Hahnemühle Photo Rag 308gsm. German Etching has a substantial, lightly textured surface that works exceptionally well for paintings and richly coloured works. Photo Rag has a smoother cotton surface suited to graphic, modernist and highly detailed imagery.
Paper is selected according to the character of the artwork rather than using one generic stock for everything. Framed prints are printed on 200gsm matte fine-art paper.
Giclée is a professional fine-art printing process using archival pigment inks and high-resolution inkjet technology. Unlike inexpensive poster printing, it is designed to reproduce subtle colour gradations, fine detail and tonal depth.
It is a reproduction method widely used by artists, photographers, galleries and professional fine-art printers.
We would rather tell you what we use and let you decide. Genuine Hahnemühle fine-art paper, professional giclée printing, archival pigment inks and carefully prepared high-resolution artwork are measurable things.
“Museum quality” by itself is not.
Large-format reproduction depends heavily on the quality of the underlying artwork file. We source the highest-resolution material available and prepare each image for print rather than simply enlarging a small internet image.
That is especially important with historic paintings, posters and archival works where source quality varies considerably.
No. A poster can be printed cheaply on lightweight commercial paper. Our fine-art editions are intended as permanent pieces of wall art, produced on heavyweight fine-art substrates with professional printing methods.
For graphic or poster artwork, the image may be a historic poster; the object you receive is still a fine-art reproduction.
Our framed pieces use solid-wood frames, handmade to order, with low-reflection glazing. There is no mount: the print fills the frame. Framed prints are printed on 200gsm matte fine-art paper.
The goal is the same as with the print itself: use materials appropriate for a piece you intend to keep.
Screens emit light; paper reflects it, so no physical print can be identical to every monitor or phone display. We prepare our artwork specifically for print and aim for accurate colour, contrast and tonal reproduction.
The texture and surface of fine-art paper also give the finished piece a physical depth that cannot be shown completely on a screen.
“I am not just impressed; I'm blown away by the quality and overall experience. The wood grain in the frame is beautiful and the print quality is superb.”
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Read the reviewsArchival fine art paper · 12-ink giclée · Solid wood frames · Free shipping