Otto Freundlich — Komposition (1935–1936) | Abstract Mosaic in Red & Navy Fine Art Print

Three scarlet squares sit inside a dense lattice of navy, teal, forest green, maroon and near-black facets, the warm notes seeming to float in front of the cool ones. Painted in the last years before the war, it shows Freundlich's late method at its most concentrated: no drawn lines, only colour meeting colour. On a wall it reads as a single dark, glowing chord.

Otto Freundlich (1878–1943) was one of the first European painters to commit fully to abstraction. Born in Pomerania, he settled in Paris in 1908 among the artists of the Bateau-Lavoir, worked on the restoration of the stained glass at Chartres Cathedral, and went on to build his mature paintings from interlocking fields of colour laid down like mosaic tesserae, later co-founding the Abstraction-Création group. In 1937 the Nazi regime singled out his work as 'degenerate', and he did not survive the war. His paintings were gathered by his companion Jeanne Kosnick-Kloss and donated to the Musée de Pontoise, and they have been steadily rediscovered ever since as a cornerstone of early abstraction.

Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.