Pisanello (attributed) and Master of the Antiphonal Q of San Giorgio Maggiore (attributed)Initial S: The Conversion of Saint Paul1440 · Illuminated Initial Print
An armoured rider in a red hat above a soldier thrown from his horse
Price$165 CAD
Free shipping and import duties covered on every order.
Printed to order. Usually arrives in 5–11 business days.
If it arrives damaged, defective or not what you ordered, we make it right at no cost. Returns & guarantee
Framed print specificationsUnframed print specificationsPaper, frame, glazing and hangingPaper and printing
Print
Giclée, printed to order with water-based inks.
Paper
Hahnemühle German Etching, 310gsm: a heavyweight, velvety matte fine-art paper with a warm white tone and a light texture. This is the unframed paper; framed prints use 200gsm matte fine-art paper.
Hahnemühle Photo Rag, a matte fine-art paper. This is the unframed paper; framed prints use 200gsm matte fine-art paper.
Archival matte fine-art paper. This is the unframed paper; framed prints use 200gsm matte fine-art paper.
Fuji Matt paper. This is the unframed paper; framed prints use 200gsm matte fine-art paper.
200gsm matte fine-art paper. This is the framed paper; unframed prints are on Hahnemühle German Etching, 310gsm.
Frame
Solid wood with a satin finish, handmade to order. About 20 mm wide and 22 mm deep.
Glazing
Low-reflection glazing.
Mount
None. The print fills the frame.
Hanging
Arrives ready to hang.
Each frame is made to order by one of our framing workshops, so the exact shade and profile may vary slightly from the photos.
A letter S, rose-pink above and blue below, holds two scenes. In the upper curve a rider in profile wears a tall red hat and plate armour with a tunic of gold scales over green, white and rose stripes; his grey horse has a silvered head-guard and red trappings set with gold suns, and two helmeted soldiers follow. Below, Saul, in full armour, tumbles head first to the ground as his brown horse collapses in blue harness studded with gold. A wooded hill and a pale castle close the distance.
The museum reads the upright rider's green, white and red as the colours of both the Gonzaga and the Este families and suggests he may be the patron who ordered the gradual, for a family chapel or a church under his protection. The initial was closely trimmed from that choir book; the rest of the story, in which Saul takes the name Paul, was left for its users to supply.
The original: a historiated initial cut from a gradual, tempera colours, gold leaf, gold paint, silver leaf and ink, made probably in the Veneto, possibly Verona, about 1440–1450; J. Paul Getty Museum, Los Angeles.
Antonio Pisano, known as Pisanello (by 1395–about 1455), was an Italian painter, draughtsman and medallist who trained as a goldsmith, worked with Gentile da Fabriano and served the courts of Mantua, Ferrara, Pavia, Milan and Naples, above all the Gonzaga and Este families. He is credited with creating the personal commemorative medal, beginning with one for the Byzantine emperor John VIII Palaeologus. An initial S with the Conversion of Saint Paul attributed to him and the Master of the Antiphonal Q of San Giorgio Maggiore is in the J. Paul Getty Museum. The Master of the Antiphonal Q of San Giorgio Maggiore is the name scholars give the illuminator of one of the choir books made for the Benedictine monks of San Giorgio Maggiore in Venice. Active in northern Italy from about the 1440s to the 1460s, he looked closely at the art of Pisanello, and an initial S with the Conversion of Saint Paul attributed to the two of them is in the J. Paul Getty Museum.
Each print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. Ships worldwide with free delivery to 30+ countries.
Pisanello (attributed) and Master of the Antiphonal Q of San Giorgio Maggiore (attributed) — Initial S: The Conversion of Saint Paul | Illuminated Initial PrintPrice$165.00
The print is colorful and pleasing to the eye. The paper is of high quality with good thickness that is great for display by itself or in a frame. A good price for the quality! Thank you!
Taylor H.
Verified buyer · reviewed on our Etsy shop · March 2026 Unframed Hahnemühle · Accent - 12x18 inches
9 Art Prints was founded by author Arif Anwar around two simple ideas: that great art should reach far beyond the familiar Western canon, and that fine art reproductions should be made with exceptional materials.
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What paper do you use?
Our principal fine-art papers include
Hahnemühle German Etching 310gsm and
Hahnemühle Photo Rag 308gsm.
German Etching has a substantial, lightly textured surface that works
exceptionally well for paintings and richly coloured works. Photo Rag
has a smoother cotton surface suited to graphic, modernist and highly
detailed imagery.
Paper is selected according to the character of the artwork rather than
using one generic stock for everything. Framed prints are printed on 200gsm matte fine-art paper.
What does “giclée” mean?
Giclée is a fine-art printing process using archival pigment inks and
high-resolution inkjet printing, made to reproduce subtle colour gradations,
fine detail and tonal depth.
Will large prints still look sharp?
Large-format reproduction depends heavily on the quality of the underlying
artwork file. We source the highest-resolution material available and
prepare each image for print rather than simply enlarging a small internet image.
That is especially important with historic paintings, posters and archival
works where source quality varies considerably.
What about your framed prints?
Our framed pieces use solid-wood frames, handmade to order, with low-reflection glazing. There is no mount: the print fills the frame. Framed prints are printed on 200gsm matte fine-art paper.
Will the colours look exactly like my screen?
Screens emit light; paper reflects it, so no physical print can be identical
to every monitor or phone display. We prepare our artwork specifically for
print and aim for accurate colour, contrast and tonal reproduction.
The texture and surface of fine-art paper also give the finished piece
a physical depth that cannot be shown completely on a screen.
“I am not just impressed; I'm blown away by the quality and overall experience. The wood grain in the frame is beautiful and the print quality is superb.”
Scarlett C. · verified buyer from our Etsy shop · framed in natural oak
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