A hooded man in a patterned robe holds a cloth to his chin

A man with a shaved forehead and dark topknot wears a peaked white hood pulled back from his face, a black crest above it. He wears a navy outer robe patterned with grey commas over sleeve linings printed with small figures in orange and blue, one hand gripping his blue-dotted collar at his chest. The ground behind him is an orange-and-white geometric lattice. A title cartouche sits at upper right, with the artist's signature cartouche and a red seal at upper left.

Tsukioka Yoshitoshi (1839–1892) was the last major master of ukiyo-e, working through the upheaval of the Meiji era. A pupil of Kuniyoshi, he moved from violent early war prints to the psychological intensity of his mature series — One Hundred Aspects of the Moon (1885–92) and New Forms of Thirty-Six Ghosts — in which history, legend and theatre are staged by moonlight. His draughtsmanship and unusual use of colour carried the woodblock print into the modern period. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.

Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.