




Two pine trunks frame a distant snow-capped Fuji at dusk
Utagawa Hiroshige — Fuji on the left of the Tōkaidō Road | Japanese Woodblock Print (Ukiyo-e)
Note: Framed prints require slightly longer production time
Two tall pine trees frame a view across green rice fields toward snow-capped Mount Fuji, set beneath a sky shading from blue to a rose-pink horizon. A bald pilgrim in a grey robe carrying a round bundle walks along a path in the foreground, with a second traveller ahead of him in a purple robe with a red drape, carrying a basket. A wooden signpost stands beside the path. A red title cartouche is at the upper right; the signature is in a red cartouche at the left, with round seals below it.
Utagawa Hiroshige (1797–1858) was the last great master of the ukiyo-e landscape print. Born into a family of fire wardens in Edo, he turned to printmaking under Utagawa Toyohiro and found his subject in the roads and seasons of Japan — above all in the Fifty-three Stations of the Tōkaidō (1833–34) and the One Hundred Famous Views of Edo (1856–58). His snow, rain and evening skies, and his bold near-and-far compositions, were studied closely by Van Gogh, Whistler and Monet. His prints are held by the British Museum, the Metropolitan Museum of Art and the Museum of Fine Arts, Boston.
Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.
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