Mount Fuji frames itself through a hollow tree above a river

A thick, hollowed tree trunk fills the foreground, its knothole opening onto a distant view of snow-capped Mount Fuji across a winding river. Cherry trees in full blossom line the banks, with birds in flight overhead and red camellias blooming at the lower right. The sky shades from pale blue to a red glow at the horizon. The title cartouche is at the upper right, with the signature and a round seal at the lower left, beside the tree trunk.

Utagawa Hiroshige (1797–1858) was the last great master of the ukiyo-e landscape print. Born into a family of fire wardens in Edo, he turned to printmaking under Utagawa Toyohiro and found his subject in the roads and seasons of Japan — above all in the Fifty-three Stations of the Tōkaidō (1833–34) and the One Hundred Famous Views of Edo (1856–58). His snow, rain and evening skies, and his bold near-and-far compositions, were studied closely by Van Gogh, Whistler and Monet. His prints are held by the British Museum, the Metropolitan Museum of Art and the Museum of Fine Arts, Boston.

Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.