Snow blankets a torii gate and shrine roofs above a distant blue bay.

Snow blankets the roofs of a hillside shrine: a red torii and shrine gate stand at the left beneath a snow-dusted pine, with paper lanterns hung under the eaves. Beyond the plaza, snow-covered rooftops descend to a blue bay backed by snowy hills. Five bundled figures cross the foreground, one in a mauve hood carrying a folded yellow umbrella, another in green on the steps at lower right carrying a second. A red title cartouche sits upper right; the signature appears in a yellow cartouche at lower left beside a black seal.

Utagawa Hiroshige (1797–1858) was the last great master of the ukiyo-e landscape print. Born into a family of fire wardens in Edo, he turned to printmaking under Utagawa Toyohiro and found his subject in the roads and seasons of Japan — above all in the Fifty-three Stations of the Tōkaidō (1833–34) and the One Hundred Famous Views of Edo (1856–58). His snow, rain and evening skies, and his bold near-and-far compositions, were studied closely by Van Gogh, Whistler and Monet. His prints are held by the British Museum, the Metropolitan Museum of Art and the Museum of Fine Arts, Boston.

Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.