A still life of cooperative booklets, calendars and journals
Price$165 CAD
Made to Archival Museum Standards, rated to stay true for 100+ years. How we make it
Free shipping and import duties covered on every order.
Printed to order. Usually arrives in 5–11 business days. For a set date, send a gift card: it arrives by email on the day you choose.
If any item arrives damaged, we replace it free—plus easy 30-day returns and exchanges on all unframed prints for any reason.If a framed print arrives damaged, we replace it free. Framed prints are made to order and are final sale otherwise.Returns & guarantee
Hahnemühle German Etching, 310gsm: a heavyweight, velvety matte fine-art paper with a warm white tone and a light texture.
Hahnemühle Photo Rag, 308gsm: a matte fine-art paper.
Archival matte fine-art paper.
Fuji Matt paper.
Frame
Solid wood with a satin finish, handmade to order. About 20 mm wide and 22 mm deep.
Glazing
Low-reflection glazing.
Mount
None. The print fills the frame.
Hanging
Arrives ready to hang.
The edgeThe weightThe surfaceShown with Monet's Water Lilies.
Each frame is made to order by one of our framing workshops, so the exact shade and profile may vary slightly from the photos.
A crowded still life of printed covers fans across a maroon ground: green, blue, yellow, pink and mauve booklets with ornamental borders, a blue cover with a globe and tools, a tall calendar sheet with a rainbow arc and a red-lettered title, an open journal with two small portrait vignettes, and a newspaper sheet at the foot. Black capitals at the upper left call on the viewer to read, and red-and-black lettering at the lower right names a union of consumer societies.
Ignaty Nivinsky (1881–1933), born in Moscow, was a graphic artist, painter, architect and stage designer. He graduated from the Stroganov School in 1898 and taught there until 1905, later becoming a professor at VKhUTEMAS. Before the First World War he painted decorative interiors, including the Egyptian Hall of the Museum of Fine Arts in Moscow. From 1912 he worked mainly as an etcher and in 1918 founded the Union of Engravers. He also designed posters, among them a wartime exhibition of Easter eggs and calls to join the cooperative movement in 1918. For the theatre he designed Vakhtangov's Princess Turandot. He died in Moscow.
Each print is made to our Archival Museum Standards: a 12-ink giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang. Ships worldwide with free delivery to 30+ countries.
The print is colorful and pleasing to the eye. The paper is of high quality with good thickness that is great for display by itself or in a frame. A good price for the quality! Thank you!
Taylor H.
Verified buyer · reviewed on our Etsy shop · March 2026 Unframed Hahnemühle · Accent - 12x18 inches
9 Art Prints was founded by author Arif Anwar around two simple ideas: that great art should reach far beyond the familiar Western canon, and that fine art reproductions should be made with exceptional materials.
So we seek out remarkable artists and traditions from around the world, then reproduce them using carefully sourced images, archival giclée printing, and fine art papers from Hahnemühle.
Every work chosen by hand and made to Archival Museum Standards,
with free shipping, import duties covered and a real person to help before and after you buy.
Who chooses the art?
People do. Every work in the collection is chosen by hand, from the great names
of art history to artists and traditions you rarely see as prints: Persian miniatures,
South Asian painting, Bauhaus posters, Belle Époque illustration and much more.
Could I get this print somewhere else? Why buy it from you?
Yes, you can, and it depends on what you want from a print. If you want a poster to put up
on the wall, that is completely fine. If you want a print that will last for decades, one you
might one day pass down to your children, this is the print for you.
It is made to our Archival Museum Standards:
a high-resolution scan of the original, kept to the artwork's own proportions, printed as a
12-ink giclée rated to stay true for more than 100 years.
Unframed prints are on Hahnemühle fine-art paper; framed prints come in real, solid-wood frames,
handmade to order. And we look after you long after it arrives.
What is included in the price?
Your print and delivery to your door. Shipping is free, and we cover import duties:
if you are charged a duty when your print arrives, send the receipt to
support@9artprints.com and we will reimburse you.
Can I talk to a real person?
Always. Write to support@9artprints.com or call
+1 (647) 455 2253, before you order or long after your print arrives. Choosing a size,
asking about a custom size or a framing question: just ask.
What if something is wrong when it arrives?
We make it right at no cost. If your print arrives damaged, defective or not what
you ordered, tell us and we will arrange a replacement or another fix. You won't need
to send it back. Returns & guarantee
Unframed prints can also be returned or exchanged within 30 days of delivery, for any reason. Exchanges (wrong size or a different artwork) are free and we send the new print right out; for a refund, mail the print back in its original tube and cover the return postage. Framed prints are made to order and are final sale unless they arrive damaged.
How do I care for my print when it arrives?
Unframed prints travel rolled in a protective tube. This is the standard and safest
way to ship a print: a rolled sheet cannot be creased or have its corners knocked
in transit. Framed prints arrive ready to hang.
Hahnemühle paper is very delicate. Its soft, textured matte surface
marks far more easily than ordinary poster paper, so handle it with care. Wash and dry
your hands first, or wear clean cotton gloves if you have them. Hold the sheet by its
edges with both hands, and never touch the printed surface.
To flatten your print:
Unroll it face up on a clean, dry, flat surface. Never roll it the opposite way or
press out the curl by hand: that can crease the paper and crack the printed surface.
Cover it with a clean sheet of acid-free tissue or plain white paper. Avoid newspaper,
wax paper or anything printed.
Rest a few large books on top, spread evenly, and leave for 24 to 48 hours.
The paper will relax on its own.
Frame your print behind glass as soon as you can, and keep it flat until then. Hang it
out of direct sunlight and away from damp and heat, such as bathrooms and radiators.
If it gathers dust, use a soft, dry brush; never water or cleaning products.
Unsure about anything? Any professional framer will know how to handle and flatten
your print, and you can always write to us before you unroll it.
What paper do you use?
Our unframed prints are made principally on
Hahnemühle German Etching 310gsm and
Hahnemühle Photo Rag 308gsm.
German Etching has a substantial, lightly textured surface that works
exceptionally well for paintings and richly coloured works. Photo Rag
has a smoother cotton surface suited to graphic, modernist and highly
detailed imagery.
Paper is selected according to the character of the artwork rather than
using one generic stock for everything. Each product page names the paper for that print.
What does “giclée” mean?
Giclée is a fine-art printing process using archival pigment inks and
high-resolution inkjet printing, made to reproduce subtle colour gradations,
fine detail and tonal depth.
Will large prints still look sharp?
Large-format reproduction depends heavily on the quality of the underlying
artwork file. We source the highest-resolution material available and
prepare each image for print rather than simply enlarging a small internet image.
That is especially important with historic paintings, posters and archival
works where source quality varies considerably.
What about your framed prints?
Our framed pieces use solid-wood frames, handmade to order, with low-reflection glazing. There is no mount: the print fills the frame.
Will the colours look exactly like my screen?
Screens emit light; paper reflects it, so no physical print can be identical
to every monitor or phone display. We prepare our artwork specifically for
print and aim for accurate colour, contrast and tonal reproduction.
The texture and surface of fine-art paper also give the finished piece
a physical depth that cannot be shown completely on a screen.
“I am not just impressed; I'm blown away by the quality and overall experience. The wood grain in the frame is beautiful and the print quality is superb.”
Scarlett C. · verified buyer from our Etsy shop · framed in natural oak
The edge
The weight
The surface
Shown with Monet's Water Lilies.
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