Otto Freundlich — Komposition (1930) | Abstract Mosaic in Red, Grey & Blue Fine Art Print

A tongue of blue-grey squares hangs down the centre from a block of sage green, flanked by scarlet and crimson at the lower left and near-black at the right; above it a column of ochre-yellow, a disc of brown and grey facets, and a golden wedge glowing beside the blue. This 1930 composition shows Freundlich's mosaic method in its most painterly form — the tesserae are brushed, not ruled — and its autumnal palette makes it one of the warmest pieces in his abstract output.

Otto Freundlich (1878–1943) was one of the first European painters to commit fully to abstraction. Born in Pomerania, he settled in Paris in 1908 among the artists of the Bateau-Lavoir, worked on the restoration of the stained glass at Chartres Cathedral, and went on to build his mature paintings from interlocking fields of colour laid down like mosaic tesserae, later co-founding the Abstraction-Création group. In 1937 the Nazi regime singled out his work as 'degenerate', and he did not survive the war. His paintings were gathered by his companion Jeanne Kosnick-Kloss and donated to the Musée de Pontoise, and they have been steadily rediscovered ever since as a cornerstone of early abstraction.

Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.