




Women pause at a torii gate as Mount Fuji rises across the bay
Utagawa Hiroshige — The Entrance Gate at Enoshima in Sagami Province | Japanese Woodblock Print (Ukiyo-e)
Note: Framed prints require slightly longer production time
Three women in matching cream kimono patterned with a purple key-fret design walk along a rocky shore toward a tall torii gate; one carries a green wrapped bundle, another a folded parasol. Waves break against the rocks as small boats cross the bay beyond, with Mount Fuji rising pale above the far shore. A teahouse with a red lantern and patterned curtains stands at the left. The title cartouche is at the upper right, with the signature cartouche and a round seal at the left.
Utagawa Hiroshige (1797–1858) was the last great master of the ukiyo-e landscape print. Born into a family of fire wardens in Edo, he turned to printmaking under Utagawa Toyohiro and found his subject in the roads and seasons of Japan — above all in the Fifty-three Stations of the Tōkaidō (1833–34) and the One Hundred Famous Views of Edo (1856–58). His snow, rain and evening skies, and his bold near-and-far compositions, were studied closely by Van Gogh, Whistler and Monet. His prints are held by the British Museum, the Metropolitan Museum of Art and the Museum of Fine Arts, Boston.
Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.
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