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The Veil

A face half seen. Sargent's woman drawing her white veil over a censer of ambergris, Sher-Gil's bride in red, Ralli's Ottoman sitters, Gérôme's Circassian, Redon's figure dissolving into colour. The veil is one of painting's oldest devices: it hides just enough to make you look longer. Archival giclée prints on Hahnemühle paper, framed or unframed.