The print is colorful and pleasing to the eye. The paper is of high quality with good thickness that is great for display by itself or in a frame. A good price for the quality! Thank you!
Taylor H.
Hiroshi Yoshida — The Wetterhorn Giclee







Twin pine trunks frame a snowbound Alpine lake below blue peaks
Each frame is made to order by one of our framing workshops, so the exact shade and profile may vary slightly from the photos.
Two tall dark pine trunks frame a snow-covered Alpine valley, with pale blue mountains rising behind a frozen lake and a cluster of white-roofed buildings in the distance. Snow drifts in pale yellow and lilac curves across the foreground, and a fir-topped ridge silhouette sits at the right. Bold black lettering across the base names the resort, Silvaplana in the Engadin.
Johannes Handschin (1899–1948), also known as Hans Handschin, was a Swiss poster artist of the Basel school. Trained as an architect, he specialised in the airbrush, which gave him both flat and hyperrealist images, and also worked in lithography and linocut. His posters of the 1930s advertised products, Alpine holiday resorts and social causes in a clear, sober graphic language dominated by a single ground colour. His posters are held by the Museum für Gestaltung Zürich and the Basel Poster Collection.
Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in solid wood with low-reflection glazing, or unframed. Ships worldwide with free delivery to 30+ countries.
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The print is colorful and pleasing to the eye. The paper is of high quality with good thickness that is great for display by itself or in a frame. A good price for the quality! Thank you!
Taylor H.
Hiroshi Yoshida — The Wetterhorn GicleeVrty nice print at very fair pricepoint. Comms with seller around shipping delay went smooth. Overall I'm very happy!
Y. L.
Kaoru Kawano — Girl with Yellow BirdThe print is so exquisite that I literally gasped upon opening it! The quality of color and paper is museum quality and well worth the purchase price This vendor is now at the top of my list in ordering future art prints!
Imani S.
Rudolf Ernst — The MusicianFrom the collection
Johannes HandschinIdene Qualitätsstrümpfe
From $165 CAD
Johannes HandschinFoire Suisse Bâle
From $165 CAD
Hiroshi YoshidaThe Wetterhorn, Switzerland
From $165 CAD
Johann Friedrich MaehlyMalerischer Plan der Stadt Basel
From $165 CAD
George BarbierPour St. Moritz
From $210 CAD
J.M.W. TurnerView of Lucerne
From $165 CAD
J.M.W. TurnerFlüelen, from the Lake of Lucerne
From $165 CAD
J.M.W. TurnerLiber Studiorum: Mt. St. Gothard
From $165 CAD
NO VAGUE “MUSEUM QUALITY” CLAIMS. JUST THE SPECIFICATIONS.
Fine-art quality should be something you can verify. Here is exactly what goes into a 9 Art Prints reproduction.
A lot of art-print sellers describe their work as “museum quality” without telling you what that actually means. We prefer specifications. Our fine-art reproductions are produced using professional giclée printing on genuine Hahnemühle fine-art papers, selected to suit the artwork. We work from high-resolution source material and prepare each image specifically for print, with close attention to colour, detail and tonal range.
Our principal fine-art papers include Hahnemühle German Etching 310gsm and Hahnemühle Photo Rag 308gsm. German Etching has a substantial, lightly textured surface that works exceptionally well for paintings and richly coloured works. Photo Rag has a smoother cotton surface suited to graphic, modernist and highly detailed imagery.
Paper is selected according to the character of the artwork rather than using one generic stock for everything. Framed prints are printed on 200gsm matte fine-art paper.
Giclée is a professional fine-art printing process using archival pigment inks and high-resolution inkjet technology. Unlike inexpensive poster printing, it is designed to reproduce subtle colour gradations, fine detail and tonal depth.
It is a reproduction method widely used by artists, photographers, galleries and professional fine-art printers.
We would rather tell you what we use and let you decide. Genuine Hahnemühle fine-art paper, professional giclée printing, archival pigment inks and carefully prepared high-resolution artwork are measurable things.
“Museum quality” by itself is not.
Large-format reproduction depends heavily on the quality of the underlying artwork file. We source the highest-resolution material available and prepare each image for print rather than simply enlarging a small internet image.
That is especially important with historic paintings, posters and archival works where source quality varies considerably.
No. A poster can be printed cheaply on lightweight commercial paper. Our fine-art editions are intended as permanent pieces of wall art, produced on heavyweight fine-art substrates with professional printing methods.
For graphic or poster artwork, the image may be a historic poster; the object you receive is still a fine-art reproduction.
Our framed pieces use solid-wood frames, handmade to order, with low-reflection glazing. There is no mount: the print fills the frame. Framed prints are printed on 200gsm matte fine-art paper.
The goal is the same as with the print itself: use materials appropriate for a piece you intend to keep.
Screens emit light; paper reflects it, so no physical print can be identical to every monitor or phone display. We prepare our artwork specifically for print and aim for accurate colour, contrast and tonal reproduction.
The texture and surface of fine-art paper also give the finished piece a physical depth that cannot be shown completely on a screen.
“I am not just impressed; I'm blown away by the quality and overall experience. The wood grain in the frame is beautiful and the print quality is superb.”
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Read the reviewsArchival fine art paper · 12-ink giclée · Solid wood frames · Free shipping