




Two lovers huddle beneath a shared cloak among tall reeds
Utagawa Kuniyoshi — 69 Stations of the Kisokaidō: Suhara — Narihira and the Nijō Empress | Japanese Woodblock Print (Ukiyo-e)
Note: Framed prints require slightly longer production time
Why this print is worth it
Archival giclée on Hahnemühle fine-art paper
Made as fine art, not as a mass-market poster.
We reproduce each work from high-quality source material using a 12-ink archival giclée process on Hahnemühle fine-art paper, chosen to preserve the colour, detail and character of the original as faithfully as possible.
“The quality of color and paper is museum quality and well worth the purchase price.”
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A man and a woman stand pressed together beneath a shared rose-pink cloak lined in red and gold brocade, her unbound hair loose beside her. He wears a purple robe with roundels enclosing a gold sprig motif; her robe, glimpsed behind, carries a grey scrollwork pattern. Tall reeds surround them at the water's edge, with several figures wading through the reeds beyond, carrying poles tipped with red pennants. A miniature landscape of blue-green mountains under a pink sky sits in the fan-shaped inset above. One sheet from the Kisokaidō stations.
Utagawa Kuniyoshi (1798–1861) brought heroes, monsters and spectacle into the ukiyo-e print. A pupil of Toyokuni, he made his name in 1827 with the series of the One Hundred and Eight Heroes of the Suikoden, tattooed warriors caught mid-action, and went on to giant skeletons, cats, whales and satirical puzzles that slipped past the censors. His restless invention influenced Yoshitoshi and, much later, tattoo and manga art. His prints are held by the British Museum, the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.
Printed as a museum-grade giclée on Hahnemühle fine art paper using 12-ink archival pigment printing. Available handframed in FSC-certified wood with optional float glass, or unframed. Ships worldwide with free delivery to 30+ countries.
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