Nothing was written about the painting before 1550, when Giorgio Vasari described it in the Medici villa of Castello, so the Uffizi treats a Medici commission as highly probable rather than documented, pointing to the orange trees, an emblem of the family. The subject was perhaps suggested by the poet Agnolo Poliziano. Unlike the Allegory of Spring, which is on wood, it was painted on canvas, a support then widely used for decorative works destined for noble houses. It is displayed in the Uffizi.
Sandro Botticelli (1445–1510) was the preeminent painter of the Florentine Renaissance and one of the most gifted draughtsmen in the history of Western art. The Birth of Venus and Primavera — commissioned by the Medici — are among the most reproduced paintings in existence, their flowing lines and mythological elegance as arresting today as they were in the 15th century.
Each print is a giclée, printed to order. Unframed prints are made on Hahnemühle German Etching, a 310gsm matte fine-art paper. Framed prints are printed on 200gsm matte fine-art paper and arrive in a handmade solid-wood frame with low-reflection glazing, ready to hang.